In an era where any marketable or recognizable brand is never truly over, the number of movies that can genuinely be dubbed safe from sequels, reboots, remakes, re-imaginings, requels, and all the rest of growing slimmer by the day. On the surface, you would have thought James Cameron’s Titanic would have been among them, but The Asylum had other ideas.
The studio that gained fame and notoriety in equal measure for its “mockbusters” that live exactly on the line of copyright infringement has never met a property it couldn’t rip off in one way or another, so the only surprise surrounding Titanic II was that it didn’t release until 13 years after Cameron had delivered his critical, commercial, and awards season bonanza.
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