It’s arguably a lot more difficult to make a bad movie when there’s enough talent in the cast to elevate even the shakiest of material above mediocrity, but no amount of recognizable names and living legends could manage to polish the cinematic turd that was 2016’s Misconduct.
About as banal and uninteresting as its title, Shintaro Shimosawa’s directorial debut deservedly landed an objectionable seven percent score on Rotten Tomatoes. The user rating may have been over three times as high, but 22 percent is hardly a barometer of quality that you’d expect given the names on display.
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